Cawston Parish
in Norfolk-UK
Near Norwich & the Norfolk Coast
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Return to St. Agnes' Church    Church Clock
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  Church Roof and Rood Screen  

Church roof
Hammerbeam Roof
 

The Hammerbeam roof is a striking feature of the nave, one of the finest in the country. Carved figures stand on the projecting beans on either side, with cherubs with outstretched wings along the cornices, the bosses are finely carved, and at the east end are to be seen figures which formerly stood by the great cross above the rood screen, the position of which can be clearly seen from the marks on the wall above the chancel arch.

Angel

Cherub

Rood Screen
The Rood Screen

The Rood Screen is in very good condition, with its original doors, and a total of twenty paintings by Flemish artists of the fifteenth century. The saints depicted. are as follows :-
(fro
m north to south) St Agnes with a lamb; St Helena; St Thomas, with a spear spear; St John the Evangelist; St James the Greater; St Andrew; St Paul with a sward; and St Peter with his keys.
On the doors: St Gregory, whose face has been obliterated; St Jerome; St Ambrose; St Augustine.
St Gregory's gloves provided the pattern for the episcopa
l gloves in Norwich Cathedral.
On south side: St Jame
s the Less; St Bartholomew; St Philip; St Simon; St Judo; St Mathew with spectacles and money box; St Matthias; and Sir John Schorne, removing the gout (the horned imp) from his foot. The latter. represents the cures for gout associated with Sir John's well at Marston.        
See Website Link:  Chambers' Book of Days - Master John Shorne

In 1953 the screen was restored, as a result of which the panels regained much of their original beauty. Experts detect the work of three artists on the screen, 1. the eight panels on the north side, 2. the doors and the next two panels on the south, 3. the remaining six. It is thought probable that the same artists contributed to the screens at Worstead and Aylshan. Traces of the beautiful work on the uprights between the panels can be seen in places, and there are a few fragments of glass which protected the miniature painting on these uprights.

From Notes on the History of the Church by John Kett.





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